Saturday, July 17, 2010

Killer Bitches: a feminist project



Killer Bitches is a series of oil paintings that I started in December 2009. It is reported that 1 out of 6 serial killers is female. As a society we overlook the woman as a killer. We assume that when women kill that it comes from an emotional place or perhaps the woman was battered and it was self defense. Frequently postpartum depression or hormonal imbalances are considered the cause of why women kill. What we as a society often forget or dismiss is that women can and do kill for the same reasons men do. We forget that women are equally capable of anything a man can do.

The Countess Elizabeth Bathory.
Oil on wood
approx. 3 ft. x 2 ft.

Countess Elizabeth Bathory (1560-1614) is one of the most prolific female serial killers of all time.

After her husband's death, she and four collaborators were accused of torturing and killing hundreds of girls and young women, with one witness attributing to them over 600 victims, though the number for which they were convicted was 80.[1] Elizabeth herself was neither tried nor convicted. In 1610, however, she was imprisoned in the Csejte Castle, where she remained bricked in a set of rooms until her death four years later.

Later writings about the case have led to legendary accounts of the Countess bathing in the blood of virgins in order to retain her youth and subsequently also to comparisons with Vlad III the Impaler of Wallachia, on whom the fictional Count Dracula is partly based, and to modern nicknames of the Blood Countess and Countess Dracula.






Thursday, July 15, 2010

Work in progress: Killers of the State


Killers of the State.
(oil on masonite board)

I started this painting of Condoleezza Rice and Hillary Clinton Sunday, July 11th. This is my second painting of Condoleezza and my first of Hillary. As of now I'm working on the under painting which tends to take me a while with oil paint. I'm mostly focused on temperature and tonal values at this stage. It just so happens that I fell into a red, white and blue color scheme.
The first Condoleezza Rice portrait is below.


In Conde We Trust. (acrylic and collage on board)
2005.

Artist, Robbie Conal told me the collage was unnecessary. Robbie Conal was wrong. If you read the text (I encourage you to do so) then you see how very necessary it is. We often skim over or over look the truth. Our leaders rely on our mental laziness to achieve many of their corrupt goals.
Wake up and read between the lines.